Is “nevermore” a real word? Can it be used in “ordinary” writing? I’m wondering because it seems to be the only word that means ‘never again’, and it would be nice to have a concise word.
What is the difference between “common” and “commonplace”? In which situation can I replace “common” by “commonplace”?
I seem to have developed a writing tick of using “and so” rather than “therefore” or “accordingly.” I like the flow of “and so,” but I have been discouraged from using it. I’m curious about what others think of “and so.”
When did we stop “giving” presents, and instead started to “gift” presents? I was taught that “gift” was a noun and not a verb, but it appears it is now used as the preferred verb to indicate the giving of a gift.
Is it really proper to say “I graduated high school,” or should it not be, “I graduated from high school?” Previously, I thought only rednecks were able to “graduate high school.”
Am I the only person in the world who finds the ubiquitous misuse of the verb “reference” to be incredibly annoying? Where did the use of “reference” rather than “refer to” start? I realise that the definition can skirt close to this usage, but I maintain that it is a misuse.
The word signage seems to keep popping up more and more and it would seem that in the majority of cases it is being used as the plural of sign and increasingly is perceived as a “clever” alternative to that plural. The OED states:
Chiefly N. Amer. Signs collectively, esp. public signs on facia boards, signposts, etc.; the design and arrangement of these.
Is there a gustative equivalent to the olfactory word “malodour”?
Is there a lexical, not imaginary, word that means anything that tastes bad just like “malodour” means anything that smells bad?
Any regular rule applicable for those words “make” and “do” while using with some nouns?
- make war
- do the homework
- make a new plan
- doing my own business
Any rule ladies and gentlemen, or just memorize every case one by one?
A simple way of distinguishing and using these words accurately:
1. ‘Thus’ means ‘in this/that way’ - it relates to ‘HOW’ - the manner in which - this or that happens or comes about. It has a practical flavour. eg.Traditionally, you arrange things thus = Traditionally, this is how you arrange things
2 .’Therefore’ means ‘for this reason’, or ‘because of this or that’ - it relates to deductive reasoning, it tells WHY this or that is so, or happened. eg. He was late and therefore missed the bus = he was late and for this reason missed the bus
3. ‘Hence’ means ‘from this/that’ - it relates to WHERE - position, or point in time; it tells from where or what, or to where or what, something comes, derives, or goes eg. -i. Get thee hence! = Get yourself away from here! -ii. Henceforth all entrances will be guarded = From now on all entrances will be guarded -iii. She got the job - hence her good spirits = She got the job and her good spirits derive from that fact. (Note the different slant to ‘therefore’, which would also fit, but would say ” her good spirits are due to (’because of’; ‘for that reason’) that”.
What do you think about using obscure and out-of-use words, such as “ebulliate”? You won’t find it on dictionary.com or even if you google it, but it is in the OED and appears to be a verb-form of “ebullient,” which, of course, is a commonly used word today. My vote was to use it because, hey, it is a word, why confine myself to commonly used words, if we don’t keep up or revive the more obscure words then we’ll lose them forever, and worse, we’ll be overrun by new words being invented not in a smart Joycean fashion but rather inspired by the world of texting and internet chatting fashion. This thought works for phrases like “might could,” too, which I used even though some of your commenters had negative things to say about it.
But my question really is whether it is ok to use obscure words when it’s likely no one knows it/them and unless the reader has access to the OED, which most people don’t, and won’t be able to define it/them, but can probably figure out the meaning from the context of the sentence.
Is it technically incorrect to use “maybe” in an interrogative sentence? Or to make an indefinite statement (with “maybe” or “perhaps” in it) interrogative?
‘Maybe we just need to add some more salt?’ -- Is it incorrect to use a question mark here? Technically, I guess, it’s a statement, so it shouldn’t take a question mark, but in natural speech it can come across as a question (you’re *asking* if we should use more salt) and a question mark at the end can reflect this. But maybe that’s just plain wrong? (â† Like this.)
Actually, that’s not a great example... What I really want to know is whether or not it is always incorrect to use “maybe/perhaps” interrogatively in formal written English.
What is the difference between writing “Find anything again” and “Find everything again”? My feeling is that “everything” has a more positive connotation.
I think when used as an adverb or adjective, the word should be really, as in “She is really happy.” Real is equivalent to true, or genuine, or actual whereas really is equivalent to the word very.
Is it correct to use real as an adverb or adjective in this way?
I find myself lately having to resist the compulsion to correct those around me when I hear the term ignorant used in the wrong, ever-persisting way. Example:
“What a loser: he just tripped himself playing soccer!”
“Uggh, jerk, don’t make fun of him! You’re ignorant.”
(sometimes pronounced “ignert” in my local area)
Anyone else happen to run into this problem as frequently as I do?
If you’ve had 5 annual events in 5 consecutive years, then skip the 6th year, and have the event again the 7th year, do you call it the 6th annual or the 7th annual?
So i’m a PA & I’ve been having an argument with my boss over the word myriad.
I was under the impression that it stands alone: “there were myriad apples on the fruit-seller’s stall” but he argues that it is correct to say “there was a myriad of apples on the fruit seller’s stall”
What d’you make of that?
I most often hear this “conjunction set” used in spoken form; it seems redundant. I’m quite sure that “yet” suffices. If indeed “yet” is setting off an independent clause, think a semicolon right before “yet” would be the proper form. Any opinions?
This misuse of “verbiage” bothered me a lot from when I first heard it. I worked for a computer company then in the mid-1980s and one day several engineers (programmers) at a meeting called various papers “verbiage”. The papers were marketing reports, technical proposals and the like, all prose. It had long been clear that these engineers disliked reading anything more than a short paragraph long, and now their contempt for written language was evident, too. They assumed “verbiage” meant “written language” and because they used it indiscriminately for long documents as well as short ones, it was also apparently they didn’t know “verbiage” only meant excessive or poorly written documents, or sometimes long, tedious documents without interest. “I looked at the verbiage”, they’d say, “and the verbiage from IBM is a little better.” Or, “I think our verbiage should reflect we avoid spaghetti programming.” Their tone, facial expressions and irritated manner left no question of their feelings. Soon it seemed thousands of people misused the word “verbiage” as they did, and later probably millions. I hear it less because I no longer work in a corporation.
Your opinions, please?
I hear this word more and more, usually to describe music, singing and writing. From the 1950s to about 2000, “edgy” meant “compelling”, “provocative”, often “defiant” or “questioning”, “obviously important” and sometimes dangerous, or nearly so, as it is to walk on a ledge, or near the edge of a rooftop. For example, Bob Dylan’s songs have always been called “edgy”, same as Kurt Cobain’s or Lou Reed’s. Part of edginess is nonformist, and challenging the status quo. Jon Cage would be considered edgy, while Leonard Bernstein would not. “Edgy” usually seems to mean “original”, too. You could call Chris Rock cool and provocative, sometimes, but not usually edgy, as Dave Chappelle is edgy. ---- All right. Is that still what most of you mean by “edgy”? Lately there seems to be a growing connotation of “originality”, too. For example, it’s hard to be “edgy” with even slightly older styles, subjects or forms of singing, composing music or writing short stories or novels. What do you think?